The Devil You Know Page 38

  “I just want it to be somewhere public. I told you, I’m scared. I don’t want to go all that way out there, in the dark, and—”

  “The club, then. You’re closer, so you’ll get there first. Wait for me.” And Damjohn hung up. Rich turned to me for further instructions.

  “What’s the boat?” I demanded.

  “It’s a yacht. He’s got a yacht.”

  “Where does he keep it?”

  Rich gave me a look in which a pathetic spark of defiance flared and died. “You think he ever invited me?”

  No, that would have been too easy, wouldn’t it? But one idea came to me, even as I was cursing. I turned to Rich again, fizzing and crackling with impatience.

  “When he was wining and dining you,” I snapped, “where did he take you?”

  “What?”

  “The snazzy hotel. Where was it?”

  “Oh.” He frowned for a second, then fished it up from somewhere in his memory. “The Conrad, out in Chelsea.”

  Bingo.

  But it was still only a best guess. And since I was working against the clock, I had to get moving. I pointed to the phone, and Rich held it out to me, which meant that when I swung with the handcuff, he couldn’t get his arm down to block in time. I caught him full in the stomach, putting all my weight into it. He hit the wall and slithered down it, his eyes wide and his mouth gaping. While he was still dazed, I got his hands behind his back and tied a double reef knot around them with the rope that was lying so conveniently to hand.

  “Wh—what was that for?” he gurgled when he could swallow enough breath to speak. “Castor, what are you doing? I said everything you told me to!”

  “I know,” I agreed, passing another loop of rope over his head and starting on another knot. He kicked a little, but I had the leverage, and he was still weak from the sucker punch. “But I’ve got some errands to run now, and the last thing I want is for you and Damjohn to get together and patch up your differences.” I passed the free end of the rope through the steel ring in its concrete mooring and made it fast. Rich was on his stomach and didn’t see me, but he guessed a second or two too late what I was going to do and rolled over frantically, struggling to get to his feet. No use. There was only about eighteen inches of play on the rope. He could get into a kneeling position, but that was all.

  “Castor, no!” he screamed, the expression in his eyes coming close to madness now. “Don’t leave me here! Don’t leave me here with her!”

  Retrieving the phone from the floor, I stood up. I stared down at him without pity, without any feeling at all except premature relief that I was going to be able to get out of his company soon.

  “You’ll be fine, Rich,” I assured him insincerely. “She doesn’t even like this room. She remembers what you did to her here. She’s spent every night since she died fighting against the pull of this place, trying not to be brought back here, but not able to get away from it. You see, she’s got unfinished business. And tonight, I’m going to be doing my bit to finish it. In the meantime, the best advice I can give you is to try to stay calm. Heightened emotion is what’s most likely to bring her.”

  Rich was still screaming at me as I went up the stairs, locked the door at the top, and crossed the upper room. I paused at the door and listened. I could just about make out his voice, but only because I knew it was there. The soundproofing really was excellent.

  The outer door slammed behind me with the finality of a coffin lid.

  Considering it used to be a coal wharf for London’s various railway lines, Chelsea Harbour has done pretty well for itself. Location, location, location, as they say; it didn’t hurt that it was a coal wharf stuck in the middle of some of the most upwardly mobile real estate in the whole of London. In the late 1980s, some smart developers moved in and built a marina, and then the Conrad Hotel went up a couple of years after that. It’s not Henley, but you could think of it as a sort of miniature, portable Henley that’s more convenient for Harrods and Harvey Nicks.

  I approached it cautiously, because I’m not the sort of element that the Conrad and the Design Centre and the Belle Époque are strenuously trying to bring in. The taxi dumped me at the top of Lots Road, at the entrance to a maze of gated communities from where it was easier and quicker to walk.

  Five past midnight. It had taken me just over an hour to get here from the Bonnington, with one stop along the way to pick up some bolt cutters and a crowbar from Pen’s garage. I was only going to get one crack at this, and time was going to be tight, so I needed to make sure I was ready for anything. As it was, sixty minutes gone meant that Damjohn was probably already looking at his watch and wondering where Rich had been held up. I probably didn’t have much of a window before he realized that Rich wasn’t coming and started to wonder where he’d gone instead. That might lead to a general desire to tie up loose ends before they unraveled for good and all. I quickened my pace as I walked past the antiques shops, furniture importers, and bijoux residences.

  Circling the great, elegant spike of the Conrad itself, I came to the marina’s entrance. There was a security hut, but the florid, uniformed guard inside was talking on the phone and didn’t particularly register me as I walked on in. I was guessing that this was where Damjohn’s yacht was berthed, because it was barely ten minutes’ walk from the pub where Scrub, Arnold, and McClennan had met up the day before. And then when Rich had confirmed that Damjohn had brought him here to eat, it gave me just enough confidence to bet Rosa’s life on it. In any case, looking at the whole thing another way, if the boat wasn’t here, then it wasn’t anywhere where I could find it, and I was stuffed before I started.

  Most of the berths fronted onto the main marina, which was where I soon found myself. It’s a broad basin shaped like three-quarters of a circle, with a gap of about ten yards between the outreaching arms, beyond which lay the Thames. I looked around for somewhere to start, hoping vaguely that there might be a list of vessels that I could read through, looking for inspiration. But there was nothing like that.

  I walked on along the planking—which was probably sun-bleached in Ostia before being shipped here in individual packages and reassembled—looking at the name of each boat in turn. All I had to go on was what Scrub had said to Rosa in Jasmine’s hazy recollection: “It’s the nice lady for you.” None of the ships had a female name except for the Boadicea. That would be a bit of a stretch, I thought.

  On the far side of the marina, past the harbor entrance, the berths continued around the outer face of the harbor wall. I took that direction now, still glancing at each boat as I went by. There were a few empty berths here. Presumably, the farther you got from Lots Road and its swinging night life, the less desirable the space was. Another woman’s name: the Baroness Thatcher. No. Surely an even less likely candidate for the title of “nice lady” than Boadicea.

  Finally I was left with only one boat to check on this side of the marina, and it was a long way out from the others. If I got no joy here, I’d have to retrace my steps and try the other arm. But from twenty feet away, when I was able to read the name painted on its side, I knew this was the one. It was called the Mercedes. Not only was that the Spanish word for “kindhearted,” it was also the name of the woman I’d seen in Damjohn’s mind when I’d shaken hands with him the first time we’d met—the woman of whom he had such bloody and such happy memories.

  I approached more stealthily now, although there were no windows lit on the yacht, and it seemed deserted. From ten feet away, I got all the corroborative evidence I needed when I saw Scrub standing up on the top deck. He was leaning on the rail at the stern end, staring out across the river toward Battersea. He was facing away from me, but there was no way of mistaking Scrub for anybody else, particularly since he was lit up romantically by the yellow radiance of a Victorian streetlamp, complete with scrollwork and nonfunctional gas mantle. I already knew Scrub was strong and mean. I wouldn’t have expected running water to deter him, although it ought to make him itchy
and irritable. But there was no sign of that in his absolute immobility, his air of dense, unfathomable calm.

  I looked ahead down the walkway past the Mercedes: nothing to see there. The planking just ended about twenty feet farther on, where presumably there was a last, unoccupied berth. As setups went, it wasn’t perfect, because it was remote, and that dead end might turn out to be a problem for me if things went wrong. But you do your best with what you’ve got.

  I retreated off the walkway into the shadow of the last boat I’d passed—the Baroness Thatcher. I wondered inconsequentially which Tory grandee owned it and what perverse fantasy had made him name his toy boat after the Iron Lady. On the other hand, maybe it was a former wet who got a nostalgic kick every time he leaned hard on the tiller and proved that she was for turning after all.

  I took off my shoes and dumped most of my tools—the lock picks and the bolt cutters; the crowbar I kept hold of. My best chance of surviving this encounter was if Scrub didn’t see me coming. Someone once bullshitted me that there’s a Welsh martial art called Llap-Goch, where the key to victory is to take out your opponent before he even knows you exist. I can get my head around that.

  I rummaged in my pockets, checked that I still had the handcuff where I could get to it, and then took out my secret weapon. No point setting it up here—too far away. I started to pad stealthily down the walkway toward the Mercedes, unwinding the tangled length of cable as I went. It was weighted at its ends, like a bolas, but it was something else entirely. Scrub still hadn’t turned, which with luck meant that he was lost in whatever passed with him for thought.

  About twenty feet away from the boat, I stopped and knelt down. I put the disk-shaped payload down at the very edge of the planking, where it was less conspicuous. I paid out the cable to its full length and pressed the button. I’d given myself two minutes of lead-in. Two minutes ought to get me to where I needed to be, and after that, we’d see. With good timing, I might even come out of this with my head still attached to my shoulders.

  Three more steps brought me to the Mercedes’s gangplank. She was a big ship—Mercedes had been a big woman, God rest her soul. There were three decks, and on the lowest one—the one I could see from where I stood—there was a door that obviously led down into the cabins. I toyed with the idea of getting out my lock picks and taking a crack at that door; it looked ridiculously easy. But no. Scrub was a dangerous man to have at your back. There was no point in getting in there if he was still extant and blocking the way out—and in the meantime, my two minutes were ticking away.

  So I climbed the companionway steps to the middle deck and kept on going to the top. The crowbar was reassuringly heavy in my hands, but I wasn’t pinning much of my faith to it. I was counting off the seconds in my mind, and forty had gone by already. I could see Scrub up ahead of me, still contemplating the iconic chimneys of the Battersea Power Station.

  I took a few quiet steps toward him, the crowbar raised in my hand. Then, when I was about ten feet away, I let my foot fall heavily on the deck. The big man turned and saw me.

  “You don’t look any prettier by moonlight, Tinkerbell,” I said.

  Scrub bared his teeth and growled. I think that meant that he was happy to see me. He lifted his elbows off the rail and came up to his full height, which was every bit as scary as I remembered it being.

  “Castor,” he said, spitting out the word.

  I didn’t answer. I just backed away, the look of terror on my face not at all difficult to assume. Scrub made a lunge, and that was nearly it for me. He was a hell of a lot faster than I would have expected, and if I’d gone backward, he would have had me. I jumped to the side instead and vaulted over the rail onto the middle deck.

  It was too dark for acrobatics. I landed in a sprawl and scrambled up again as Scrub came charging down the companionway steps. He’d cut me off from the gangway now, so I stepped up onto one of the scuppers and made another death-defying leap down onto the wooden walkway below. The crowbar was still in my hand, and as an added bonus, I managed to avoid breaking my leg with it.

  Scrub came down the gangway at his leisure. He had me trapped in the little dead-end section aft of the Mercedes, where there was nowhere to go but down.

  “You little fucker,” he burred deep in his throat. Ninety seconds gone.

  I took a few experimental swipes with the crowbar, making the air whistle in a way that I hoped was intimidating. But Scrub just laughed and started to lumber down the walkway toward me. “I wish you’d stuck with the whistle,” he said, smirking horribly. “I was looking forward to jamming it down your fucking throat.”

  I backed away, dipping my free hand into my pocket. “Scrub,” I warned him, “I’ve got a secret weapon. Coincidentally, it’s behind you.”

  He ignored that and just kept coming toward me. I was hoping that the crowbar might give him a moment’s pause, but he must have been threatened by bigger men than me and had probably eaten them for breakfast. (I really wish some other metaphor had occurred to me.) I brought my hand out of my pocket; the metal arc across my knuckles flashed bright in the light of the streetlamp. Scrub’s eyes went to it—not scared or even wary, but mildly curious.

  “It’s silver,” I said. “You know what silver does to your kind. Keep your distance.”

  Scrub shrugged massively. One of his huge hands reached out toward me, fingers spread wide. Out of options, I blocked and jabbed at him with the cuff. The metal grazed the skin of his wrist, and he flinched, feeling the pain. He hesitated, then took a step back. I did, too, taking advantage of that moment’s respite to shift my balance. That was when he charged me.

  It was like a bull’s charge—no finesse, but lots and lots of momentum. His forearm hit me first, and it was rising, with all his weight behind it. That offhand, almost negligent swipe lifted me off the walkway and threw me ten feet through the air. I came down on my back at the very end of the planking, my head over the water and all the breath slammed out of me in one jarring gasp.

  I tensed myself to roll aside, but Scrub was on me before I could move. His foot came down on my chest, pinning me to the ground and sending a jolt of electric pain through my stressed ribs. He glared down at me; one hand fumbled in his jacket pocket and came out with a knife. It would almost have counted as a sword in anybody else’s hands: a thick-bladed dirk with a recurved tip. He bent from the waist, caught a handful of my lapels in his other hand, and hauled me half upright. The edge of the blade touched my cheek.

  “I am fucking gonna love this,” Scrub rasped.

  One hundred and twenty.

  The first blast of music split the night. Actually, “music” is far too generous a word for it; it was a mauling shriek like the sound a dying cat might make. It was a whistle playing three octaves above middle C. Scrub stiffened, a look of wonder and dismay crossing his face. Still with his foot planted on me, he swiveled to look for the source of the sound. But we were alone on the walkway; no piper, pied or otherwise, hove into sight.

  The whistle modulated through three slurred discords, dropping from screeching treble to skirling bass. There was no tune, just burst after burst of raw noise hacked into a barely perceptible pattern. It made strange shifts from major to minor, from key to ham-fisted key. It polluted the night with its imperfection.

  And it made Scrub let out a startled grunt of protest, like a stuck pig. He cast his head about, triangulating on the sound. Obviously it was coming from behind us—from the empty planking thirty feet or so away, back in the shadows between the Mercedes and her nearest neighbor.

  The sound rose in pitch again, and Scrub screamed in pain and rage. He took his foot off my chest, probably just in time to stop my whole rib cage from caving in, and ran back toward the harbor entrance. That meant he was running toward the weird music, which seemed to be as hard for him to do as swimming against a riptide. His headlong pace slowed; he staggered and seemed for a second to be about to fall sideways into the water. Then he saw something on the grou
nd ahead of him and forced himself to take a few steps more, toward it.

  I sat up, sucking in an agonizing breath around ribs that seemed to have been reduced to needle-sharp splinters. I watched Scrub try to bend and pick up the thing he’d seen on the floor and fall down instead. I saw him scrabble at the boards and come up holding the Walkman in his huge hand. He stared at it as if he was having trouble making his eyes focus. Then he bellowed like an ox and threw the thing from him. It shattered against the side of the Baroness Thatcher before falling into the waters of the marina, its harsh voice silenced midnote.

  Loup-garous are different from regular ghosts—harder or easier, depending on what it is you’re trying to do. On the one hand, the invading spirit has burrowed its way deep into flesh and then resculpted the flesh around itself like a cocoon; so doing a full exorcism can be a bastard. But (and it’s a big but) the flip side of that is that the flesh remembers its original shape. The line of least resistance is to make host and parasite fall out with one another—to set up an interference, so that the borrowed flesh reverts to what it was before the ghost came in and redecorated.

  I’d been half convinced that the afternoon I’d spent in Pen’s kitchen, teasing out that tune and getting it down on the Walkman, would be so much wasted time. But I knew I could never take Scrub one-on-one, no matter how many low blows I threw. So if I ever did come up against him, I’d need to have an even more unfair advantage.

  The big man lurched to his feet again, but it took him a Herculean effort. His head snapped around, and he looked at me across ten meters of planking with a glare of insane, incendiary hatred.

  “Castor,” he growled. “I’ll kill you for this. That’s a promise. When I—”

  He stiffened, and a tremor ran through his body like a wave through water. He stared at his arms and groaned. They were writhing, not like limbs but like snakes, like puppy dogs in a sack. He tried to take a step toward me, managed, started work on another. That was as far as he got.